Step 01
Inquire
Tell me about your day, your venue, the people who'll be there. I'll send full pricing and a personal note within 48 hours.
The Experience & Investment
Three collections - built for the way couples actually live their wedding day. Tailoring is welcome. Travel is included for most of Texas; available everywhere else.
No.01 / The Process
Step 01
Tell me about your day, your venue, the people who'll be there. I'll send full pricing and a personal note within 48 hours.
Step 02
A 30-minute call - coffee or video - so I can hear your story and you can hear how I work. No pressure either way.
Step 03
A timeline review, a vendor introduction list, and a moments-to-catch document I build with you a few weeks before the day.
Step 04
I arrive early and stay quiet. Films delivered in 8–12 weeks via a private gallery, with a cinema-grade master archived for life.
No.02 / Collections
i. Vignette
a short cinematic film
Investment
$2,500
Inquire about The Vignette →ii. Story
my most chosen offering
Investment
$3,000
Inquire about The Story →iii. Feature
the full cinematic film
Investment
$3,500
Inquire about The Feature →Special Offer
Save 10% on any collection when paid in full at booking.
All collections are tailorable. Travel within Texas is included.
No.03 / Additions
Most additions can be added at any point - even after the wedding. Pricing is sent with your custom proposal.
No.04 / Questions
I'm selective - generally about 18–22 weddings a year - so every couple gets my full attention. I look at the day's flow, the venue, and most importantly whether I feel like we'll work well together.
Yes, gladly. Travel within Texas is included, and I'm available for weddings anywhere in the U.S. or abroad. Destination weddings are something I'd love to do, so reach out early and we can plan it together.
Most films are delivered within 8–12 weeks. You'll get a same-week sneak peek of a single moment, and the full film follows once color and sound are finalized.
Always. I coordinate with your photographer ahead of the day, share moments-to-catch lists, and stay out of each other's frames. Most of my best films are made alongside photographers I love.
I license music through Musicbed, Soundstripe, and Marmoset - and increasingly work with composers for custom scores. I never use unlicensed tracks.
It has rained on most of my favorite films. I bring covers, improvise, and the resulting footage is usually some of the most-loved.